In Ernest Hemingway’s short story ‘Hills Like White Elephants’, the central conflict revolves around a couple’s conversation about an unspecified operation, which is heavily implied to be an abortion. The male character, Jig’s partner, is trying to persuade her to go through with the procedure, suggesting it will solve their problems and allow them to return to their carefree lifestyle. Meanwhile, Jig is conflicted about the operation and what it means for their relationship and her own future.
The conflict is not just about whether or not to have the abortion but also highlights the larger themes of communication, choice, and the struggles that come with decisions in a relationship. Jig feels the weight of the decision and its implications, while the man appears more focused on maintaining their current lifestyle rather than engaging with the emotional depth of the situation.
This tension between personal desires and shared responsibilities creates a palpable sense of conflict throughout the dialogue, illustrating the complexity of their relationship and the choices faced by women in similar circumstances.