Cyrano de Bergerac, written by Edmond Rostand, is often considered a tragedy due to its exploration of unrequited love, personal flaws, and the ultimate downfall of its protagonist, Cyrano. Despite its comedic elements, the play delves deeply into themes of unfulfilled desires and the tragic consequences of Cyrano’s insecurities and pride.
Cyrano’s tragic flaw lies in his inability to express his love for Roxane directly. His insecurity about his large nose leads him to believe that he is unworthy of her love. Instead of confessing his feelings, he helps another man, Christian, woo Roxane by writing love letters on his behalf. This self-sacrifice, while noble, ultimately leads to his own unhappiness.
The play reaches its tragic climax when Cyrano, on his deathbed, finally reveals his love to Roxane. However, it is too late, and Cyrano dies without ever experiencing the love he so deeply desired. This unfulfilled love and the missed opportunities due to his own insecurities and pride are what make Cyrano de Bergerac a tragedy.
In summary, Cyrano de Bergerac is a tragedy because it portrays the sorrow and suffering of its protagonist, who is unable to overcome his personal flaws and achieve the love and happiness he seeks. The play’s exploration of human vulnerability, pride, and the pain of unrequited love solidifies its place as a tragic work.